Reconfiguring it into three large luxury units meant the addition of a copper clad box at roof level to extend the available living area without actually disturbing the original style and flair of the building. Another fascinating feature is the use of refurbished Crittall factory windows which usher in the industrial vibe of the original edifice.
Designed by Neumann Mendro Andrulaitis Architects this gorgeous dwelling seems more like an inviting vacation home that is crafted for rest rejuvenation and a celebration of nature! With distant mountains and endless greenery offering a captivating view this home offers much more than meets the eye.
The presence of this ply clad addition saves space helps in better organization of the rest of the house and also delineates the kids’ playroom from the living area without the use of additional walls.
There is something innately beautiful about churches that have been transformed to serve a different purpose in the ever-changing world. While we have seen some being altered into breathtaking bookstores and libraries most often old churches find a new lease on life as unique and dramatic contemporary homes.
The lower level contains bedrooms a guest room laundry and additional spaces while it is the second level that houses the main living area kitchen and dining space along with the master suite. It is the step-styled arrangement of the each space that delineates one from the next while minimizing the necessity of walls and partitions.
Private quarters occupy the second level of the house and overlook not just the distant bay but also the living area below. This creates a visual continuity in terms of style across the two floors that is carried through to the rooftop zone.
Designed by Moloney Architects the uses a cantilevered structure to not only get past the conundrum of a sloped site but also to offer the best possible views of the landscape around the home. On the inside clean straight lines and a series of visually connected open spaces create a cozy and curated ambiance.